Audio Techniques Academy - Full Instructor Curriculum

Bronze Level

Audio Engineering Fundamentals

Complete foundation in audio science, equipment operation, signal flow, and professional recording workflows. No prerequisites required.

24 Sessions 8 Weeks 4 Modules

Session 1

Physics of Sound

What is sound: mechanical vibration, compression and rarefaction
Frequency and pitch: 20Hz - 20kHz audible range
Wavelength calculations and speed of sound (343 m/s)
Amplitude: loudness perception vs measured SPL
Sound propagation: direct, reflected, diffracted
Practical: identifying frequency ranges by ear

Requires: Projector/display, studio monitors or headphones, tone generator software (free), whiteboard

Session 2

The Four Audio Domains

Frequency Domain: spectrum analysis, EQ applications, critical listening bands
Amplitude Domain: dB scales (dBFS, dBu, dBV, dB SPL), dynamic range
Time Domain: waveform shape, phase relationships, transients, latency
Harmonic Domain: fundamental frequency, overtones, timbre, harmonic distortion
Practical: using spectrum analyzers and level meters

Requires: Computer with Nuendo (spectrum analyzer plugin included), studio monitors, headphones

Session 3

Analog vs Digital Audio

Analog signal characteristics: continuous waveforms, voltage representation
A/D Conversion: sampling process, Nyquist theorem, aliasing
Sample Rate: 44.1kHz, 48kHz, 96kHz, 192kHz and applications
Bit Depth: 16-bit, 24-bit, 32-bit float resolution and dynamic range
D/A Conversion: reconstruction filters, clock accuracy
Practical: comparing audio at different Sample Rates and Bit Depths

Requires: Computer with Nuendo, Audio Interface, studio monitors, headphones, sample audio files at various Sample Rates

Session 4

Signal Flow: Source to Speaker

Complete signal path: source > Microphone > Preamp > Processor > Output
Gain Staging: optimal levels at each stage, headroom management
Impedance matching: low-Z vs high-Z, balanced vs unbalanced signals
Phantom Power (+48V): what it is, when it's needed, safety considerations
Signal routing: insert points, aux sends, direct outputs
Practical: tracing signal flow on a physical console

Requires: Mixing console (analog or digital), Microphone, XLR cable, studio monitors, Audio Interface

Session 5

Cables, Connectors & Infrastructure

Connector types: XLR, 1/4" TRS/TS, RCA, Speakon, BNC
Cable construction: balanced vs unbalanced, shielding types
Digital interconnects: AES/EBU, S/PDIF, ADAT, USB, Thunderbolt
Patch bay operation and studio wiring standards
Cable management and maintenance best practices
Practical: soldering XLR and TRS cables, testing with multimeter

Requires: Assorted cables (XLR, TRS, RCA), soldering iron, solder, heat shrink, multimeter, connectors

Session 6

Acoustics Fundamentals

Room acoustics: reflection, absorption, diffusion
RT60 reverberation time and its measurement
Standing waves and room modes: identification and management
Critical listening environments: near-field vs far-field monitoring
Basic room treatment: absorption panels, bass traps, diffusers
Practical: measuring room response with test tones

Requires: Studio or treated room, measurement Microphone (optional), REW software (free), studio monitors, test tone files

Session 7

Microphone Types & Construction

Dynamic Microphones: moving coil design, durability, applications
Condenser Microphones: large and small diaphragm, sensitivity, Phantom Power
Ribbon Microphones: figure-8 pattern, warmth, fragility, modern designs
Specialty types: Lavalier, Shotgun, boundary, PZM
Frequency response charts: reading and interpreting specifications
Practical: hands-on comparison of Dynamic, Condenser, and Ribbon mics

Requires: Dynamic Microphone (SM57/58), Condenser Microphone (AT2020 or similar), Microphone stands, Audio Interface with Phantom Power

Session 8

Polar Patterns & Microphone Placement

Cardioid: on-axis response, off-axis rejection, proximity effect
Omnidirectional: equal sensitivity, room sound capture
Figure-8 (Bidirectional): front/rear pickup, null sides
Supercardioid and Hypercardioid: narrow pickup, rear lobe
Multi-pattern Microphones: switchable polar patterns
Practical: recording same source with different patterns and placements

Requires: Dynamic and Condenser Microphones, Microphone stands, Audio Interface, Nuendo, headphones, acoustic source (voice or instrument)

Session 9

Mixing Console Architecture

Channel strip walkthrough: input, Gain, Pad, HPF, EQ, Dynamics, Fader
Bus structure: main mix, groups/subgroups, aux sends
Aux sends: pre-fader (monitors) vs post-fader (effects)
Insert points: pre/post EQ, external processor routing
Master section: stereo bus, monitoring, talkback, control room
Practical: setting up a 16-channel mix from scratch on console

Requires: Analog or digital mixing console (e.g., Yamaha MG12), Microphones, XLR cables, studio monitors

Session 10

Audio Processors: EQ & Filters

EQ types: parametric, semi-parametric, graphic, shelving
Parameters: frequency, gain, Q (bandwidth)
High-Pass and Low-Pass Filters: slope rates (6, 12, 18, 24 dB/octave)
Subtractive vs additive EQ techniques
Common EQ moves: cleaning mud (200-400Hz), adding presence (2-5kHz), air (10kHz+)
Practical: EQ correction exercise on dialogue and music

Requires: Computer with Nuendo (built-in EQ plugins), studio monitors, headphones, sample dialogue and music files

Session 11

Dynamics Processing

Compressor: threshold, ratio, attack, release, knee, make-up gain
Limiter: brick-wall limiting, peak protection
Gate/Expander: threshold, range, hold, reducing unwanted noise
De-esser: frequency-selective compression for sibilance
Gain staging with processors: maintaining headroom
Practical: applying Compression and Gating to voice and instruments

Requires: Computer with Nuendo (built-in Compressor, Gate, Limiter, De-esser plugins), Microphone, Audio Interface, headphones

Session 12

Audio Interfaces, Preamps & Monitoring

Audio Interface selection: I/O count, conversion quality, connectivity
Preamplifier types: clean/transparent vs colored/tube
Monitoring systems: passive vs active speakers, nearfield vs midfield
Headphone types: open-back, closed-back, in-ear for different applications
Monitor placement: equilateral triangle, height, distance from walls
Practical: A/B comparison of different Preamps and monitoring setups

Requires: Audio Interface (e.g., Steinberg UR44C), studio monitors, headphones (closed-back), Microphone, XLR cables

Session 13

DAW Fundamentals: Steinberg Nuendo

Nuendo interface overview: project window, mixer, transport, inspector
Session setup: Sample Rate, Bit Depth, project templates
Track types: audio, MIDI, instrument, group, FX, VCA
Input/output routing and Audio Interface configuration
Basic editing tools: selection, range, scissors, glue, mute
Practical: creating a session from scratch, importing audio files

Requires: Computer with Nuendo installed, Audio Interface, studio monitors or headphones

Session 14

Multi-Track Recording Techniques

Multi-track concept: recording instruments on separate tracks simultaneously
Overdubbing: recording additional parts over existing tracks
Comping: selecting best takes from multiple passes
Punch-In/Out: correcting specific sections within a take
Click tracks and tempo mapping for session synchronization
Practical: recording a multi-source session (voice, instrument, ambience)

Requires: Computer with Nuendo, Audio Interface (4+ inputs), 2-3 Microphones, XLR cables, Microphone stands, headphones

Session 15

Audio Editing Workflows

Non-destructive editing: regions, events, and parts
Trimming, splitting, and arranging audio events
Fades and crossfades: types, shapes, and applications
Time-Stretching and Pitch Correction basics
Noise reduction tools and cleanup workflows
Practical: editing a spoken-word recording for broadcast

Requires: Computer with Nuendo, headphones, sample audio files (spoken word, music)

Session 16

Introduction to Mixing

Mix preparation: gain staging, track organization, color coding
Level balancing: establishing a static mix
Panning: stereo field placement, LCR technique
Basic EQ in the mix: frequency separation between elements
Basic Compression: controlling dynamics in a mix context
Practical: mixing a 8-track session from scratch

Requires: Computer with Nuendo, studio monitors, headphones, pre-recorded multi-track session files

Session 17

Effects: Reverb, Delay & Modulation

Reverb types: room, hall, plate, spring, convolution
Reverb parameters: pre-delay, decay time, damping, wet/dry
Delay types: simple, ping-pong, tape delay, tempo sync
Modulation effects: chorus, flanger, phaser
Send vs insert effects: when to use each approach
Practical: creating spatial depth with Reverb and Delay

Requires: Computer with Nuendo (built-in Reverb, Delay, Modulation plugins), studio monitors, headphones

Session 18

Post-Production Basics & File Management

Dialogue editing: cleanup, de-noise, consistency
Sound effects (SFX) placement and timing with picture
Audio-to-video synchronization: timecode, frame rates (24, 25, 29.97, 30)
File formats: WAV, AIFF, FLAC, MP3, AAC and their applications
Session organization, backup strategies, naming conventions
Practical: editing and syncing audio to a short video clip

Requires: Computer with Nuendo, headphones, sample video clip, external hard drive for backup exercises

Session 19

PA System Setup & Operation

PA system components: Microphones, console, amplifiers, speakers
Speaker types: full-range, subwoofer, monitor wedge, delay fill
Speaker placement for even coverage in different venues
Amplifier selection and power calculations
Signal distribution: splitters, active/passive DI boxes
Practical: setting up a small PA system from scratch

Requires: Small PA system (powered mixer + 2 speakers), Microphones, DI boxes, XLR and speaker cables, venue or large room

Session 20

Live Mixing Techniques

Front-of-House (FOH) vs Monitor Mixing: different goals and techniques
Stage patching: input lists, stage plots, system block diagrams
Soundcheck procedure: line check, individual instruments, full band
Real-time mixing decisions: riding faders, dynamic EQ
In-Ear Monitoring (IEM) basics for performers
Practical: live mixing simulation with playback tracks

Requires: Mixing console, PA system (speakers + amplifier), Microphones, monitor wedge or headphones, stage patch cables

Session 21

Feedback Control & Troubleshooting

Feedback: causes, identification, and prevention strategies
Ringing out monitors: finding and notching feedback frequencies
Graphic EQ application for room tuning
Common live sound problems and systematic troubleshooting
Emergency procedures and backup planning
Practical: feedback identification and elimination exercise

Requires: PA system with monitors, Microphones, graphic EQ (hardware or plugin), feedback-prone room setup

Session 22

Broadcast Audio Fundamentals

Broadcast signal standards: analog and digital broadcast chains
Live-to-air processing: AGC, Compressor, Limiter, final output chain
Loudness standards: EBU R128, ITU-R BS.1770, ATSC A/85
LUFS/LKFS metering and loudness compliance
Broadcast console operation and on-air procedures
Practical: setting up a broadcast audio chain with loudness metering

Requires: Computer with Nuendo, loudness metering plugin (included in Nuendo), studio monitors, headphones

Session 23

Radio, Podcast & Streaming Production

Radio production workflow: jingles, voice-overs, imaging
Podcast production: recording, editing, publishing workflow
Streaming audio: encoding formats, bitrates, CDN basics
Voice processing chain for broadcast: EQ, Compression, De-esser
Export and delivery formats for different platforms
Practical: producing a short radio segment or podcast episode

Requires: Computer with Nuendo, Microphone, Audio Interface, pop filter, headphones, internet connection for streaming demo

Session 24

Final Assessment & Professional Certification

Written technical exam: audio theory, signal flow, equipment knowledge
Practical demonstration: recording, editing, and mixing exercise
Portfolio review: compilation of work from all modules
Professional workflow evaluation: session organization, file management
Career guidance and advancement to Silver Level pathway
Certificate of completion presentation

Requires: All equipment from previous sessions available, printed exam materials, portfolio submission system

Silver Level

Intermediate Professional Audio

Advanced recording techniques, acoustics, professional mixing, and specialized applications. Prerequisite: Bronze Level.

20 Sessions 10 Weeks 4 Modules

Session 1

Room Acoustics Analysis

RT60 measurement: theory, tools, and interpretation
Standing waves and room modes: calculation by room dimensions
Flutter echo identification and treatment
Practical: measuring RT60 and identifying room modes in a real space

Requires: Measurement Microphone (optional: Behringer ECM8000), REW software (free), studio monitors, tape measure, laptop

Session 2

Acoustic Treatment Design

Absorption: material selection, NRC ratings, placement strategies
Diffusion: QRD diffusers, skyline diffusers, when to diffuse vs absorb
Bass trapping: porous absorbers, membrane traps, corner placement
Isolation techniques: floating floors, decoupled walls, STC ratings
Practical: designing acoustic treatment for a small studio space

Requires: Projector/display, sample acoustic treatment materials (foam, rockwool), room layout drawings

Session 3

Advanced Digital Audio

Oversampling and its effect on anti-aliasing filter design
Dithering: types (TPDF, noise shaping), when to apply
Jitter: causes, audible effects, reduction methods
Word Clock synchronization in multi-device setups
Practical: configuring multi-device clock sync and measuring jitter

Requires: Computer with Nuendo, Audio Interface, word clock cable (BNC), second Audio Interface or digital device for sync demo

Session 4

Audio Networking Protocols

Dante: architecture, routing, device management, redundancy
AVB/Milan: IEEE standard, low latency, network requirements
AES67: interoperability standard, SMPTE ST 2110
MADI: 64-channel digital interconnect, coax and fiber
Practical: setting up a Dante network with multiple devices

Requires: Computer with Dante Controller software (free), Dante-enabled device (if available), network switch, Ethernet cables

Session 5

DSP & System Processors

Digital Signal Processing fundamentals: FIR vs IIR filters
System processor configuration: crossovers, delays, limiters
Speaker management software: setup and optimization
Practical: configuring a multi-way speaker system with DSP

Requires: Computer with speaker management software, PA system with active crossover capability, measurement Microphone

Session 6

Speech Intelligibility & Measurement

STI (Speech Transmission Index): measurement and interpretation
STIPA: simplified measurement method for installed systems
Factors affecting intelligibility: RT60, S/N ratio, direct-to-reverberant ratio
System design for speech: houses of worship, conference rooms, airports
Practical: measuring and optimizing STI in a real space

Requires: Measurement Microphone, laptop with REW or STIPA measurement tool, PA system, large room or venue

Session 7

Advanced Stereo Microphone Techniques

XY (coincident pair): setup, stereo width, mono compatibility
ORTF: spacing and angle, natural stereo image
M/S (Mid-Side): encoding, decoding, adjustable stereo width
Blumlein: dual figure-8 technique, spacious recording
Spaced pair (AB): time-of-arrival stereo, wide image
Practical: recording same source with all five techniques, comparing results

Requires: 2x matched Condenser Microphones (small diaphragm), stereo bar, Microphone stands, Audio Interface (2+ inputs), Nuendo, headphones

Session 8

Multi-Track Session Management

Complex routing: groups, VCA, folder tracks, sidechain routing
Template design for different production types
Track versions and playlists for non-destructive workflow
Collaboration workflows: session export, OMF/AAF interchange
Practical: building professional session templates for radio and post

Requires: Computer with Nuendo, pre-built session files, external drive for OMF/AAF export exercises

Session 9

Advanced EQ & Frequency Management

Parametric EQ: surgical correction vs tonal shaping
Dynamic EQ: frequency-dependent compression, de-essing with dynamic EQ
Frequency masking: identifying and resolving conflicts between sources
Linear-phase EQ: when to use, CPU considerations
Practical: solving frequency masking in a dense multi-track mix

Requires: Computer with Nuendo (parametric EQ, dynamic EQ plugins), studio monitors, headphones, dense multi-track session files

Session 10

Advanced Dynamics Processing

Multi-band Compression: splitting frequency ranges for independent control
Parallel Compression: blending compressed and dry signals
Sidechain Compression: ducking, pumping effects, frequency-selective sidechain
Serial Compression: multiple compressors in series for transparent control
Practical: applying advanced dynamics to a broadcast voice chain

Requires: Computer with Nuendo (multi-band Compressor, sidechain routing), studio monitors, headphones, broadcast voice recordings

Session 11

Advanced Time-Based Effects

Reverb design: creating custom spaces with algorithmic reverb
Convolution Reverb: impulse responses, real-space simulation
Delay techniques: slapback, rhythmic delays, Haas effect for width
Modulation effects in context: subtle enhancement vs creative effects
Practical: creating depth and space in a dry studio recording

Requires: Computer with Nuendo (Reverb, convolution Reverb, Delay plugins), studio monitors, headphones, dry studio recordings

Session 12

Mix Automation & Bus Processing

Automation modes: read, write, touch, latch, trim
Volume automation: vocal rides, build-ups, transitions
Parameter automation: filter sweeps, effect sends, panning moves
Bus processing: group compression, parallel bus effects
Mix-down: bounce settings, dithering, format selection
Practical: automating and bouncing a complete mix

Requires: Computer with Nuendo, studio monitors, headphones, multi-track session ready for mixing

Session 13

Advanced Live Sound Engineering

System tuning: measurement microphones, analysis software
Delay alignment: time alignment between speaker arrays
Zone coverage: delay fills, under-balcony speakers, distributed systems
Practical: tuning a multi-zone PA system using measurement tools

Requires: PA system (multi-zone if possible), measurement Microphone, laptop with SMAART or REW, delay processor

Session 14

Advanced Monitor Mixing & IEM

In-Ear Monitoring (IEM) systems: wireless, cabled, hybrid
Personal monitor mixers: Aviom, ME-1, stage rack systems
Monitor mixing from FOH: compromises and techniques
Hearing conservation for performers and engineers
Practical: setting up IEM system and personal monitor mixes

Requires: Mixing console, monitor speakers or IEM system, Microphones, headphones, stage box or splitter

Session 15

Film & Television Audio

ADR (Automated Dialogue Replacement): recording, sync, performance
Foley: recording techniques, footsteps, props, cloth
Sound design: layering, synthesis, processing for character and mood
Dialogue editing: room tone matching, breath control, continuity
Practical: creating a complete audio track for a 2-minute scene

Requires: Computer with Nuendo, Microphone, props for Foley, video clip for sync exercise, headphones, studio monitors

Session 16

Broadcast Facility Workflows

On-air processing chains: AGC, multi-band compression, limiting
Redundancy systems: backup paths, failover procedures
Remote broadcasting: codec selection, ISDN, IP audio
Practical: configuring a complete on-air processing chain

Requires: Computer with Nuendo, broadcast processing plugins (included in Nuendo), loudness meter, headphones

Session 17

Streaming & Podcast Production

Audio encoding: AAC, Opus, MP3 — quality vs bitrate trade-offs
CDN optimization: adaptive bitrate, latency management
Live streaming audio: OBS, dedicated encoders, cloud mixing
Podcast distribution: RSS, hosting platforms, metadata
Practical: setting up a live stream with professional audio quality

Requires: Computer with Nuendo + OBS (free), Microphone, Audio Interface, headphones, internet connection

Session 18

Surround Sound Fundamentals

5.1 channel configuration: speaker placement, bass management
7.1 surround: additional surround channels
Surround panning and object placement
Downmixing: surround to stereo compatibility
Practical: creating a 5.1 surround mix from a stereo source

Requires: Computer with Nuendo (5.1 panning supported), minimum 5.1 speaker setup or headphones with binaural plugin

Session 19

Client Management & Project Scoping

Client needs assessment: understanding requirements, setting expectations
Proposal writing: scope, deliverables, timelines, pricing
Equipment specification: building tech riders and equipment lists
Budgeting: project costing, markup, rental vs purchase decisions
Practical: writing a project proposal for a hypothetical client

Requires: Projector/display, sample proposal templates, whiteboard, printed case studies

Session 20

Portfolio Development & Career Strategy

Portfolio development: selecting work, presentation, online platforms
Career paths: studio, live, broadcast, post-production, freelance
Networking and professional organizations (AES, SBE)
Continuing education and specialization roadmap
Final Silver Level assessment and certification

Requires: Computer with internet access, projector/display, portfolio review materials from students

Gold Level

Advanced Audio Engineering Mastery

Expert-level specialization in one of four professional tracks. Prerequisites: Silver Level + Professional Portfolio.

16 Sessions 8 Weeks 4 Tracks

Session A-1

Advanced Mixing: Stem Processing & Analog Summing

Stem mixing workflow: organizing and processing instrument groups
Analog summing: hybrid mixing with external hardware
Mix referencing: using commercial references, translation across systems
Advanced bus processing: parallel saturation, tape emulation, stereo enhancement

Requires: Computer with Nuendo, studio monitors, headphones, reference tracks, optional: analog summing mixer

Session A-2

Mastering: Signal Chain & Loudness Optimization

Mastering signal chain: EQ > Compression > Limiting > Metering
Loudness optimization: target levels for streaming, broadcast, physical media
Stereo width and imaging control in mastering
Mid/Side processing for mastering applications

Requires: Computer with Nuendo (mastering plugins included), studio monitors (calibrated), loudness meter, headphones

Session A-3

Immersive Audio Production

Dolby Atmos for music: bed tracks, objects, binaural rendering
7.1.4 monitoring setup and calibration
Nuendo Dolby Atmos renderer workflow
Delivery for Apple Music Spatial Audio and other platforms

Requires: Computer with Nuendo + Dolby Atmos Renderer, headphones (binaural monitoring minimum), ideally 7.1.4 speaker setup

Session A-4

Studio Design & Monitoring Calibration

Control room design principles: reflection-free zone, monitor placement
Monitor calibration: SPL alignment, frequency response correction
Room measurement and correction software (Sonarworks, REW)
Practical capstone: master a project for multi-platform release

Requires: Measurement Microphone, REW software, studio monitors, SPL meter, room measurement tools

Session B-1

Line Array System Design

Line Array theory: wavefront, coupling, directivity
Coverage prediction software: EASE, ArrayCalc, Soundvision
Rigging: safety calculations, flying hardware, weight distribution
Array optimization: splay angles, mechanical shading

Requires: Computer with prediction software (EASE demo or free alternatives), projector/display, venue drawings

Session B-2

Large Venue Acoustics & Distributed Systems

SPL mapping: coverage uniformity, front-to-back ratio
Delay towers: time alignment, level tapering, zone control
Distributed systems: 70V/100V lines, ceiling speakers, paging
Subwoofer arrays: cardioid configurations, ground stacking vs flown

Requires: Computer with prediction/measurement software, projector/display, SPL meter, venue access for field trip

Session B-3

Festival & Conference Audio Coordination

Multi-stage festivals: system planning, changeovers, redundancy
Conference audio: discussion systems, simultaneous interpretation
Noise management: community compliance, SPL monitoring
RF coordination: wireless microphones, IEM, intercom frequencies

Requires: Projector/display, RF coordination software or frequency charts, sample technical riders, whiteboard

Session B-4

System Measurement & Optimization

SMAART: dual-FFT transfer function measurement
Phase alignment: subwoofer-to-main, array-to-delay
System equalization: measurement-informed vs ear-based tuning
Practical capstone: design and simulate a large venue PA system

Requires: Laptop with SMAART or REW, measurement Microphone, PA system, Audio Interface, cables

Session C-1

Advanced Sound Design

Synthesis for sound design: subtractive, granular, wavetable
Sound layering: building complex effects from elements
Foley recording: studio setup, surfaces, props, performance technique
Processing chains for cinematic sound: distortion, convolution, pitch

Requires: Computer with Nuendo, Microphone, Foley props and surfaces, headphones, studio monitors, sample SFX libraries

Session C-2

ADR & Dialogue Replacement

ADR recording: cueing systems, loop groups, performance direction
Dialogue matching: EQ, reverb, and noise floor to match production audio
Walla recording and crowd scene creation
Dialogue premix: balance, automation, spatial placement

Requires: Computer with Nuendo, Condenser Microphone, pop filter, video display for talent cueing, headphones, treated room

Session C-3

Dolby Atmos & Object-Based Audio

Dolby Atmos for film/TV: bed channels, objects, metadata
Nuendo Atmos renderer: object panning, snapshots, monitoring
Binaural rendering for headphone delivery
Quality control and deliverables: cinema DCP, streaming, broadcast

Requires: Computer with Nuendo + Dolby Atmos Renderer, headphones (binaural minimum), video clips for immersive mixing

Session C-4

Delivery Standards & Platform Requirements

Cinema: DCP audio specifications, Dolby certification requirements
Television: loudness compliance (EBU R128, ATSC A/85), delivery specs
Streaming: Netflix, Disney+, Apple TV+ audio specifications
Practical capstone: complete post-production audio for a short film

Requires: Computer with Nuendo, loudness meter, sample deliverable specs from Netflix/broadcast, headphones

Session D-1

Broadcast Facility Design

Control room layout: ergonomics, sightlines, equipment placement
Studio design: isolation, acoustics, ventilation considerations
Technical areas: equipment racks, wiring infrastructure, power
Grounding and power: star ground, isolated ground, UPS systems

Requires: Projector/display, CAD or drawing software (optional), sample facility floor plans, whiteboard

Session D-2

Multi-Platform Content Optimization

Radio: FM processing, HD Radio, DAB+ specifications
Television: embedded audio, SDI, loudness compliance
Web and mobile: adaptive bitrate, low-latency streaming
Simultaneous multi-platform distribution workflows

Requires: Computer with Nuendo, encoding software, loudness meter, internet connection for streaming tests

Session D-3

Redundancy & Disaster Recovery

Backup signal paths: automatic failover, manual switchover
Equipment redundancy: dual processing, hot standby systems
Disaster recovery: off-site backup, rapid rebuild procedures
Documentation: signal flow diagrams, maintenance schedules, SOPs

Requires: Projector/display, sample signal flow diagrams, whiteboard, documentation templates

Session D-4

IP-Based Audio & Remote Production

AoIP infrastructure: network switches, QoS, PTP clocking
Remote production: contribution codecs, return feeds, communication
Cloud-based production: virtual mixing, remote collaboration tools
Practical capstone: design a complete broadcast facility signal flow

Requires: Computer with Dante Controller or AoIP software, network switch, Ethernet cables, Audio Interface with network capability

Sessions 5-8

System Integration & Measurement

Multi-system integration: audio, video, lighting, control
Advanced measurement: dual-FFT, impulse response, transfer function
Calibration standards and verification procedures
Troubleshooting complex systems: systematic diagnosis methodology

Requires: Laptop with measurement software, Audio Interface, measurement Microphone, multi-system environment access

Sessions 9-12

Research, Development & Innovation

Current trends: immersive audio, AI-assisted mixing, spatial capture
Emerging technologies: Ambisonics, binaural rendering, 6DoF audio
Research methodology: testing hypotheses, documenting results
R&D project: developing an original solution to an industry challenge

Requires: Computer with internet access, Nuendo, projector/display, research paper examples

Sessions 13-16

Professional Mastery & Leadership

Industry leadership: mentoring, knowledge transfer, team building
Training and teaching: developing educational content, workshops
Master capstone project: real-world project with industry deliverables
Gold Level certification and professional recognition ceremony

Requires: Projector/display, all equipment for capstone project demonstration, portfolio submission materials

Audio Techniques Academy Curriculum